Adam Monroe Wurlitzer KONTAKT download free

Voices are held and iterated over in a pure, C-Style array. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and even in lower latencies. The VST, Audio Unit, and AAX versions include updated, high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. With this library, we feel like we have done just that. The goal in any sample library that is also a VSTi (virtual instrument), AU, or AAX plugin is to attempt to match the performance of the Kontakt Player. Kontakt version has been depreciated, as the VST, Audio Unit, and AAX versions require programming beyond the simple Kontakt player. Some simple linear distortion was added to the VST, AU, and AAX versions as well as some built-in reverb, chorus, wah, tone, and dampening knobs. The library comes with built-in tremolo and delay, but for finer tuning please check out Adam Monroe's Tremolo and Adam Monroe's Delay, free plugins to further customize your sound, as well as Adam Monroe's Mark 73, for a slightly different electronic piano tone.

Compared to the passive design of a Rhodes piano, there's simply a lot that can go wrong, which is why we recommend purchasing a Wurlitzer sample library! This is to be somewhat expected, as a Wurlitzer 200A contains numerous electronic components from the 1970's that were not designed to last 40+years, such as electrolytic capacitors. This was the most temperamental instrument we have sampled thus far.

The Wurlitzer samples were processed with EQ to cut a lot of the low frequencies out, in order to better sit in a mix as a more midrange instrument, as the bass frequencies were heavily dominant from close micing. Most keys on the Wurlitzer were in tune, but a few keys needed fine adjustment, and F2 needed to be replaced completely, as our attempt to 'add solder' to the lead tine, in order to lower the pitch, failed completely. Well sampling the bass notes, it became apparent that the Wurlitzer's built in speakers also needed to be replaced.

The preamp, amp, and power transformer were all replaced and sampling continued. The wurlitzer's amplifier and preamp were re-capped in an attempt to save the amplifier, but about half way through the sampling process the amplifier died, which eventually killed the power transformer.

Adam Monroe Wurlitzer KONTAKT download free